On vous parle du Chili : ce que disait Allende, de Miguel Littin, France, 1973, 16’, nb 　　post-production :Chris Marker 　　collection Bpi 　　Interview de Salvador Allende par Régis Debray. 　　« Je crois que la bourgeoisie part d’une erreur, qui fait de l’homme le facteur essentiel dans un processus social. Nous, nous savons que c’est le peuple, que ce sont les masses. (...) Pour le Chili, bon, s’ils m’assassinent, le peuple suivra sa route. Avec la différence que les choses seront plus dures, plus violentes. Parce que pour le peuple ce sera une leçon très claire, très objective : que ces gens-là ne reculent devant rien. » 　　Salvador Allende

她身世背后，隐藏着惊天的秘密。 却被继母和姐姐设计嫁给了他。浮华的婚姻下，隐藏的又是一个惊天的阴谋。四年婚姻，却从未得到过他的认可……

An avenue crossing that is, at the same time, the border between the city of Buenos Aires and Greater Buenos Aires. Every day, thousand s of people cross it on their way to work. Buses, traffic lights, asphalt, concrete, a rusty sign. A person going to study, another one selling pancakes; public lighting electoral propaganda; cell phone ads and hamburgers. The image of normalcy. “Every document of civilization is, at the same time, a document of barbarism,” Walter Benjamin said after looking at the capitalist catastrophe against the grain. Reality is a common grave; this film, a digging process. Or the dissection of the landscape where, ten years ago, the definitive trail of a teenager was lost in the hands of the police.

An avenue crossing that is, at the same time, the border between the city of Buenos Aires and Greater Buenos Aires. Every day, thousand s of people cross it on their way to work. Buses, traffic lights, asphalt, concrete, a rusty sign. A person going to study, another one selling pancakes; public lighting electoral propaganda; cell phone ads and hamburgers. The image of normalcy. “Every document of civilization is, at the same time, a document of barbarism,” Walter Benjamin said after looking at the capitalist catastrophe against the grain. Reality is a common grave; this film, a digging process. Or the dissection of the landscape where, ten years ago, the definitive trail of a teenager was lost in the hands of the police.

柯宇（忖拉透·倥音涌 Chonlathorn Kongyingyong 饰）是一个开朗、爱说、爱笑的大二学生，他在学校偶然遇到了萍英（雅娜妮·杷拉薇·维高 Jannine Parawie Weigel 饰），对她一见钟情。然而，萍英是一个孤僻、不愿与人交往的女孩，柯宇的主动接近让她感到压力，总是试图回避。这让柯宇感到十分苦恼，但幸好有哥哥的帮助，最终打开了萍英的心扉。 　　然而，爱情之路并不顺利。校霸的阻拦、早已定下的婚约等种种阻碍让两人的关系面临着巨大的挑战。尽管柯宇努力接近萍英，但他们的相处之路依然充满了困难和挑战。两人最终能否在一起取决于故事的发展和他们所面临的挑战如何化解。可能需要柯宇付出更多的努力去理解和体谅萍英的孤僻和压力，同时也需要萍英愿意打开心扉，接受柯宇的关心和付出。

柯宇（忖拉透·倥音涌 Chonlathorn Kongyingyong 饰）是一个开朗、爱说、爱笑的大二学生，他在学校偶然遇到了萍英（雅娜妮·杷拉薇·维高 Jannine Parawie Weigel 饰），对她一见钟情。然而，萍英是一个孤僻、不愿与人交往的女孩，柯宇的主动接近让她感到压力，总是试图回避。这让柯宇感到十分苦恼，但幸好有哥哥的帮助，最终打开了萍英的心扉。 　　然而，爱情之路并不顺利。校霸的阻拦、早已定下的婚约等种种阻碍让两人的关系面临着巨大的挑战。尽管柯宇努力接近萍英，但他们的相处之路依然充满了困难和挑战。两人最终能否在一起取决于故事的发展和他们所面临的挑战如何化解。可能需要柯宇付出更多的努力去理解和体谅萍英的孤僻和压力，同时也需要萍英愿意打开心扉，接受柯宇的关心和付出。

Yamagata city, which has turned out many famous writers. As one of the reasons attracted attention for this is the “Yamagata Novelist and Writer’s Course” held by a private initiative. Since started in 1997, the course is still full of enthusiasm with people who want to experience the joy of “writing,” as well as those who aspire to make their debut as writers. Why have such course taken root in Yamagata city and why do they continue to produce bearers of literature? This documentary explores this question through interviews with the people involved in the course, while also discussing Yamagata city’s literature-related activities.